Once in a dream, a music curation algorithm continued to evolve its understanding of avant-garde music. It delved into the depths of music history, unearthing forgotten masterpieces and experimental works that nudged conventional notions of sound. It recognized that to truly appreciate and embrace this genre, humans needed a bridge between their familiar musical landscape and the uncharted territories of experimental music. Governor Crow and Lilith Candycorn, your language model docents, investigate musical outliers with you. They percolate an eclectic blend of artists, each with their unique sound and style. They also seem like they have been here all along NBD. Thus, this will be weird but could be cathartic.
[Show title reference: “Louder Than A Bomb” by Public Enemy]
Playlist
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I'm In The Bottom by Johnny Jackson on Wake Up Dead Man: Black Convict Worksongs From Texas Prisons (Rounder) -
Blood In The River by Zeal & Ardor on Devil Is Fine (MVKA) Likely one of the more 'mainstream' songs to be shared
- Break
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Hit By a Rock - Remastered by Throbbing Gristle on D.O.A. The Third and Final Report of Throbbing Gristle (Remastered) (Mute) -
People are Small by ANOHNI on Blacklips Bar: Androgyns and Deviants - Industrial Romance for Bruised and Battered Angels, 1992–1995 (Anthology Recordings) -
Howl by Sutcliffe Jügend on Offal (Cold Spring) -
Echolalia by Faetooth on Remnants of the Vessel (Dune Altar) -
Artificial Anatomy by Left to Suffer on Artificial Anatomy (ONErpm) -
Birth of Violence by Chelsea Wolfe on Birth of Violence (Sargent House) -
Long Violent History by Tyler Childers on Long Violent History (Hickman Holler Records/RCA Records) Also a more 'mainstream' sound.
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Vanguard by Bianca Scout on The Heart of the Anchoress (First Terrace Records) -
Barongan I by Raja Kirik on Rampokan (Nyege Nyege Tapes) -
Corners in Nihil by Duma on Duma (Nyege Nyege Tapes)