Orthography refers to the set of conventions and rules governing the written representation of a language, encompassing aspects such as spelling, punctuation, and grammar. It is the system through which written symbols are used to represent the sounds, words, and grammar of a particular language, ensuring clarity and consistency in written communication. Similarly, experimental music pushes the boundaries of traditional musical conventions, exploring novel sounds, structures, and approaches to composition. Just as orthography defines the standard rules for written language, experimental music challenges and redefines the established norms of music. It often involves the unconventional use of instruments, innovative sound manipulation, and novel compositional techniques, resulting in compositions that can be intriguing, challenging, and even boundary-pushing. In both cases, orthography and experimental music, there exists a tension between the established rules and the creative exploration of new forms and expressions, highlighting the dynamic nature of human language and artistic expression.
[Show title reference: “Far Away” by Linka Inverza]
Playlist
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B1 by Civilistjävel! on Järnnätter (FELT) - Break
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Peach Blossom by Piotr Kurek on Peach Blossom (Mondoj) -
Rhythm Variation 03 by Aoki Takamasa on RV8 (Raster-Noton) -
The Dead Centre by Rian Treanor, Ocen James on Saccades (Nyege Nyege Tapes) - Break
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A Seagull Learns To Sleep Alone by Penelope Trappes on Heavenly Spheres (Nite Hive) -
Departed Leaves by Elena Isolini, Bianca Scout on Our Hearts (Them There Records) - Break
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Ruthless by LA Timpa on Pity by One All Good Treasure (O___o?) - Break
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Voice of the Spider by CS + Kreme on Orange (The Trilogy Tapes)